Sunday, September 17, 2017
★★★★★ - A Review by Cameron Kanachki
I'm not a horror guy. I'll just put that out there.
I don't see many horror films because: 1. I'm a scaredy cat; & 2. Most recent horror films are awful, as they put an over-reliance on jump scares.
It is an extremely more-than-welcome horror film. It blends the jump scares with an overwhelming sense of dread, something that has been missing in horror films as of late.
Based on Stephen King's 1986 novel & set in the summer of 1989, the film centers on Bill Denbrough (played by Jaeden Lieberher), a twelve-year-old boy in Derry, Maine. Bill's seven-year-old brother, Georgie (played by Jackson Robert Scott), disappeared nine months earlier. Fearful of the bullies who will have free reign towards him for 3 months, Bill takes solace with his friends: foul-mouthed Richie Tozier (played by Finn Wolfhard); hypochondriac Eddie Kaspbrak (played by Jack Dylan Grazer); & mysophobic Stanley Uris (played by Wyatt Oleff).
Meanwhile, Beverly Marsh (played by Sophia Lillis), a burnout who has had rumors about her spread throughout the school, also has to deal with her father's (played by Stephen Bogaert) sexual & physical abuse. Before school ends for the summer, Beverly meets Ben Hanscom (played by Jeremy Ray Taylor), a new kid in Derry who is also bullied for his weight. They immediately take a liking to each other.
During the summer, many kids go missing, just like Georgie. Bill, Richie, Eddie & Stanley go to the Barrens to search for Georgie, whom Bill thinks is still alive. Ben ends up down there after being attacked by the gang of bullies.
The next day, everyone sees visions of their biggest fears & nightmarish visions of Pennywise (played by Bill Skarsgård), a terrifying clown. The 6 kids encounter Mike Hanlon (played by Chosen Jacobs), a homeschooled orphan who is also terrorized by Pennywise. They find that Pennywise assumes the identity of their biggest fear, & appears once every 27 years for 12-16 months. They decide to fight off Pennywise once & for all as "The Losers Club."
The cast is one of the best ever in a horror film. Lieberher, Wolfhard & Lillis are the best out of the young cast. But the standout of the entire cast is Bill Skarsgård, who is absolutely haunting every moment he's on the screen.
Andy Muschietti's direction is astounding. Muschietti, most known for directing the 2013 horror film Mama, is at the top of his game here, setting an overwhelmingly dark & terrifying mood.
The screenplay by Chase Palmer, Cary Fukunaga & Gary Dauberman is excellent. Their script does an excellent job of adapting Stephen King's novel, & It doesn't have the characters you'd usually see in a horror film (i.e. the stupid teenage characters). The characters feel really human, & are actually smart, & don't make stupid decisions.
Chung-Hoon Chung's cinematography is amazing. The way he frames the characters is excellent, & every shot looks perfect.
The editing by Jason Ballantine is excellent. Ballatine has perfectly paced & assembled this film, & unlike other horror films, he doesn't use a lot of jump cuts.
Benjamin Wallfisch's score is haunting. His score, primarily using a piano, makes an already scary film even scarier, building the terror to a breaking point.
The sound design is excellent. All the sounds in the film manage to scare the absolute crap out of everyone who hears them.
And the makeup & hairstyling is nothing short of amazing, especially the makeup used on Pennywise, which makes It extremely terrifying.
This is one of the best horror films of the century. They sadly do not make horror films like these anymore. I truly cannot wait for It: Chapter Two.
It was seen by me at the MJR Marketplace Digital Cinema 20 in Sterling Heights, MI on Friday, September 8, 2017. It is in theaters everywhere. Its runtime is 135 minutes, & It is rated R for violence/horror, bloody images, & for language.
Sunday, September 3, 2017
This goes without saying, but Steven Spielberg is a master.
Since his theatrical debut, 1974's The Sugarland Express, Spielberg has captivated the minds of the young, the old, & everyone in between, with films like Jaws, the Indiana Jones franchise, E.T. the Extra Terrestrial, The Color Purple, Hook, the Jurassic Park francise, Schindler's List, Saving Private Ryan, Minority Report, Lincoln, & Bridge of Spies.
Now, for its 40th anniversary, Columbia Pictures has re-released Steven Spielberg's 1977 sci-fi masterpiece, Close Encounters of the Third Kind. This was my first time seeing this film. And it was such a glorious experience.
The film focuses on Roy Neary (played by Richard Dreyfuss), an electrical worker in Muncie, Indiana. He lives a mostly uneventful life with his wife, Ronnie (played by Teri Garr) & their three children: Brad (played by Shawn Bishop); Toby (played by Justin Dreyfuss); & Silvia (played by Adrienne Campbell).
One night, the power suddenly goes out in town, & Roy is called into work. While driving to work, the metal objects in his truck suddenly move around, & a strange craft appears overhead. It's a UFO. After returning home, he tells his family, but they don't believe him.
Another Muncie resident, Jillian Guiler (played by Melinda Dillon), lives with her son, Barry (played by Cary Guffey). The UFO appears by their house, & just like the metal objects in Roy's truck, Barry's toys suddenly start turning on & operating.
Meanwhile, French scientist Claude Lacombe (played by François Truffaut) & his American interpreter, cartographer David Laughlin (played by Bob Balaban) investigate the strange incidences of a pilotless flight in the Sonora Desert, a lost cargo ship in the Gobi Desert, & a five-tone sequence from a UFO in Northern India. The noise is sent to space, with the response being a set of coordinates, pointing to Devils Tower in Moorcroft, Wyoming.
Eventually, all three of these stories will converge at Devil's Tower, leading to an eye-opening discovery.
The cast is excellent. Dreyfuss does an excellent job of documenting his character's descent into madness after encountering the UFO. Truffaut, in his only English-language performance (& his only performance in a film he didn't direct), shines in every moment he's on the screen. And Dillon gives an amazing performance that was well-deserved of her Oscar nomination for Best Supporting Actress.
Steven Spielberg's direction is phenomenal. He re-defined the sci-fi blockbuster with this film, & his vision for this film is unparalleled. At every moment, his direction exhibits a strong, childlike wonder in the audience.
His screenplay is also amazing. The characters are extremely well-written & feel so human, & the plot is so intricate.
The cinematography by the late Vilmos Zsigmond is nothing short of spectacular. Every single shot is immaculate, & the way he frames the characters is amazing.
The editing by Michael Kahn is excellent. The film is perfectly paced & assembled, & with this film, Kahn jumpstarted his way into becoming the most awarded editor in film history.
The production design by Joe Alves & Daniel A. Lomino is excellent. The sets are so immersive, especially the designs of the UFO's.
The score by John Williams, the greatest film composer of all time, is amazing. His large-scale orchestral style of music is definitely on play here (notably the famous five-tone sequence), & it is so perfect.
The sound design is impeccable. The five-tone sequence, the sounds of the UFOs, & all the other sound effects are so indescribably amazing.
And the visual effects are so awe-inspiring, & way ahead of their time. They don't feel like the style of regular effects from 1977. And honestly, they don't feel that dated. The effects here, along with the visual effects from the other sci-fi masterpiece from 1977, Star Wars, redefined the way effects can be put into film.
This is truly one of the greatest films ever made. It's a groundbreaking, wondrous, & overall perfect cinematic experience.
Close Encounters of the Third Kind was seen by me at the Emagine Macomb in Macomb Township, MI on Saturday, September 2, 2017. It is in theaters everywhere. Its runtime is 137 minutes, & it is rated PG for some intense sci-fi action, mild language & thematic elements.
Wednesday, August 30, 2017
★★★★★ - A Review by Cameron Kanachki
I hate the world I'm growing up in.
Not just because I'm growing up in a world with a horrible political climate, but because I'm growing up in a world where so many people I know live for one thing: social media. They show us what they're doing, what they're eating, what clothes they're buying, & so many other things. They live for the likes & comments & shares & retweets & screenshots. It's so ludicrous.
Ingrid Goes West gives us an amazing satirical look at the age of social media & how it has made us more disconnected from life. The film follows Ingrid Thorburn (played by Aubrey Plaza), an extremely mentally unstable woman from Pennsylvania. Ingrid has been reeling after her mother's death. After macing an ex-friend at her wedding for not inviting her, she is institutionalized. Ingrid is absolutely attached to one thing: Instagram.
Ingrid learns of Instagram icon Taylor Sloane (played by Elizabeth Olsen) while reading a magazine. She then follows her on Instagram, becoming jealous of her seemingly perfect life. She comments on one of her post & receives a reply from Taylor that most would deem inconsequential. Ingrid, however, becomes ecstatic at Taylor's reply. With the $60,000 from her mother's insurance policy, Ingrid decides to move to Los Angeles to become Taylor's friend. She rents a house in the neighborhood of Venice from Dan Pinto (played by O'Shea Jackson Jr.), an aspiring screenwriter & avid fan of Batman. Ingrid gets a makeover & decides to emulate Taylor's lifestyle.
Ingrid follows Taylor to her house & kidnaps her dog when she's not home, & returns her saying she found him during the night & kept him overnight. Taylor & her pop artist husband, Ezra (played by Wyatt Russell), invite Ingrid inside their house for dinner.
And at that moment, Ingrid & Taylor become friends. At last, Ingrid seems happy. But as their friendship grows, Ingrid becomes more unhinged, & as Taylor's narcissistic recovering drug addict brother, Nicky (played by Billy Magnussen) arrives with his friend, fashion blogger Harley Chung (played by Pom Klementieff), Ingrid arrives at a breaking point, wanting Taylor as her friend forever, no matter what the cost.
The cast is spectacular. Aubrey Plaza's performance is a revelation, & she gives the best performance of the year so far. She is extremely crazy in the film, & we are absolutely shocked at the depths her character goes to. Elizabeth Olsen & O'Shea Jackson Jr. also give excellent performances, providing strong supporting roles to Plaza.
Matt Spicer's direction is excellent. In his directorial debut, Spicer has an excellent satirical edge in his work.
And the screenplay by Matt Spicer & David Branson Smith is brilliant. The dialogue is scathingly funny, & we can't help but laugh at the people in the film for being such stuck-up snobs.
This is one of the best films of the year so far. It shows us how we have become basically connected to social media & how we are so obsessed with how people react to our daily lives & activities, & that the people we see on social media whose lives look so well-planned & perfect are actually just as screwed up as we are.
Ingrid Goes West was seen by me at the MJR Troy Grand Digital Cinema 16 in Troy, MI on Friday, August 25, 2017. It is in 12 theaters in the Detroit area, including the MJR Troy Grand Digital Cinema 16 in Troy, MI, the AMC Forum 30 in Sterling Heights, MI, the AMC Star Great Lakes 25 in Auburn Hills, MI, & the Emagine Canton in Canton, MI. Its runtime is 97 minutes, & it is rated R for language throughout, drug use, some sexual content & disturbing behavior.
★★★★★ - A Review by Cameron Kanachki
I never thought Robert Pattinson could act.
After watching 2 of the Twilight films a long time ago, I was convinced he didn't have a single ounce of acting ability in his body.
I was wrong. I mean, I was REALLY wrong.
Good Time, an excellent crime film, has shown me how great of an actor Robert Pattinson is. The film focuses on Connie Nikas (played by Robert Pattinson), a bank robber in New York. His brother, Nick Nikas (played by Benny Safdie), is extremely mentally handicapped. After robbing a bank for $65,000, Connie & Nick try to get away, but a pack of red dye goes off in the getaway car, forcing them to flee.
Two police officers spot them; Connie remains calm, but Nick freaks out & runs, forcing the cops to chase them. Connie succesfully evades the cops, but Nick is arrested & held at Rikers Island.
Connie tries to bail him out, but he is $10,000 short, & Connie's girlfriend, Corey (played by Jennifer Jason Leigh), is unsuccessful at using her credit cards to cover the $10,000. He later finds out Nick is in a hospital after being beaten unconscious in a fight. All of this leads to a wild & crazy night involving Ray (played by Buddy Duress), a recent parolee; Dash (played by Barkhad Abdi), an amusement park security guard); & Crystal (played by Taliah Webster), a 16-year-old girl.
The cast is excellent. As I mentioned before, Robert Pattinson is nothing short of spectacular in this film. He has proven me dead wrong with this performance. Also, Benny Safdie is excellent in giving a mentally handicapped portrayal without coming off as unintentionally hilarious or heavy-handed.
The direction by Benny & Josh Safdie is amazing. They have brought an extreme amount of wild thrills to this film unlike many other crime films in recent memory.
The screenplay by Josh Safdie & Ronald Bronstein is brilliant. The dialogue is excellent, & the story is excellently written.
The cinematography by Sean Price Williams is amazing. Every single shot has a lot of flair to it, especially one shot of a car speeding down a street, reminding us of a helicopter TV camera zooming out on a car chase.
The editing by Ben Safdie & Ronald Bronstein is excellent. The breakneck editing style reminds us of the style used in films by Martin Scorsese, Quentin Tarantino, Paul Thomas Anderson, & Edgar Wright.
And the score by Oneohtrix Point Never is absolutely astounding. The synthesizer-led score drives the entire film, & it is what helps keep the film so thrilling.
This is one of the best films of the year so far, & is one of the best crime films in recent memory. It's a brilliant ode to the classic crime films of the 1970's.
Good Time was seen by me at the MJR Marketplace Digital Cinema 20 in Sterling Heights, MI on Thursday, August 24, 2017. It is in theaters everywhere. Its runtime is 100 minutes, & it is rated R for language throughout, violence, drug use & sexual content.
★★★★★ - A Review by Cameron Kanachki
Taylor Sheridan has written some of the best films of the decade so far.
In 2015, he wrote the script for Denis Villeneuve's Sicario, one of the best crime films of the decade.
In 2016, he wrote the script for David Mackenzie's Hell or High Water, THE best crime film of the decade.
And now, in 2017, Taylor Sheridan has ended his Frontier Trilogy by not only being the screenwriter, but also making his directorial debut in Wind River, an absolute masterpiece.
The film focuses on Cory Lambert (played by Jeremy Renner), an agent of the U.S. Fish & Wildlife Service in Wyoming. He is separated from his Native American wife, Wilma (played by Julia Jones), with whom he has a son, Casey (played by Teo Briones).
One day, while hunting, Lambert discovers a body on the Wind River Indian Reservation. He discovers it is the body of 18-year old Natalie Hanson (played by Kelsey Asbille), the daughter of Martin Hanson (played by Gil Birmingham), a family friend. Her corpse is frozen, barefoot, without proper winter clothing, & has a blood stain on her groin.
After Tribal Officer Ben (played by Graham Greene) starts to investigate, FBI Agent Jane Banner (played by Elizabeth Olsen) comes in from Las Vegas to take over the investigation. She is the dictionary definition of a fish-out-of-water here, as she comes in wearing an FBI windbreaker, a pantsuit, & heels, eventually borrowing some winter clothing from a local resident.
The autopsy confirms Lambert's belief that Natalie died from a pulmonary hemorrhage after receiving blunt trauma & being raped; however, nothing confirms that she was murdered. Still steadfastly believing Natalie was murdered, Banner decides to stay & keep investigating, eventually asking Lambert to help find who murdered Natalie. But on one of the biggest Native American reservations in the country, nothing is easy to solve.
The cast is excellent. Jeremy Renner & Elizabeth Olsen give their best performances yet, & both deserve Oscar nominations. Gil Birmingham also further cements his status as one of the best (& most underrated) character actors in film.
Taylor Sheridan's direction is spectacular. After writing Sicario & Hell or High Water, Sheridan has gone behind the camera for this film. And what a directorial debut this is. This is the type of film you'd expect from a seasoned veteran director, not a first-timer. I expect Sheridan to keep making excellent films.
His screenplay is also spectacular. Like his screenplays for Sicario & Hell or High Water, it's filled with so many twists & turns that you don't see coming. He is slowly reinventing the thriller genre.
The cinematography by Ben Richardson is absolutely astounding. There are an abundance of breathtakingly beautiful shots of the desolate, mountainous, snowy landscape of the reservation & the areas surrounding it, & they are so perfectly put onto film by Richardson.
The editing by Gary D. Roach is amazing. The film doesn't feel rushed or drags on for too long. It's perfectly paced.
The sound design is incredible. From the sounds of the wilderness to the gunshots in the film, the sounds are absolutely perfect.
And the score by Nick Cave & Warren Ellis is amazing. It's absolutely haunting, & with this score, Cave & Ellis are making a name for themselves as some of the best film composers today.
This is, without a doubt, the best film of the year so far. It shines a light on the sad life of Native Americans on reservations, how many unsolved murders there are on reservations, & how we need to raise awareness of their plight.
Wind River was seen by me at the MJR Marketplace Digital Cinema 20 in Sterling Heights, MI on Tuesday, August 22, 2017. It is in theaters everywhere. Its runtime is 107 minutes, & it is rated R for strong violence, a rape, disturbing images, & language.
Monday, August 28, 2017
★★ - A Review by Cameron Kanachki
I haven't read Jeannette Walls's 2005 autobiography The Glass Castle. I was meaning to read it before seeing The Glass Castle, but I ended up not reading it. However, I did read a very detailed synopsis of the book before seeing the film, so I did go into the film with a lot of knowledge surrounding it, hoping it would stay truthful to the book.
Unfortunately, this was not the case. There were a few major things that were left out of the film, & unlike the book, the film tried to do some things the book didn't do.
The Glass Castle focuses on Jeannette Walls (played as a child by Chandler Head, as a preteen by Ella Anderson, & as an adult by Brie Larson), the second-oldest child in the Wells family from Welch, West Virginia. Her older sister is Lori (played as a child by Olivia Kate Rice, as a preteen by Sadie Sink, & as an adult by Sarah Snook), her younger brother is Brian (played as a child by Iain Armitage, as a preteen by Charlie Stowell, & as an adult by Josh Caras), & her younger sister is Maureen (played as a baby by Charlie & Noemie Guyon, as a child by Eden Grace Redfield, as a preteen by Shree Crooks, & as an adult by Brigette Lundy-Paine). Their parents are Rex (played by Woody Harrelson) & Rose Mary (played by Naomi Watts). Rex is an alcoholic, while Rose Mary is an artist.
The family moves around every so often, from Phoenix to San Francisco to Battle Mountain, Nevada to Welch, West Virginia, where they settle in a three-room house without plumbing or heat. The children try to grow up in a home where alcohol-fueled abuse is common. Rex, when sober, tries to plan to build a glass castle for them to live, but never gets to it.
Years later, the four children live in New York. Jeannette is engaged to David (played by Max Greenfield), a yuppie, the complete opposite of who Jeannette once was. Some time later, Rex & Rose Mary move to New York & squat in an abandoned building on the Lower East Side of Manhattan. The children aren't that happy to see them there, namely Jeannette, who still shows anger towards Rex & Rose Mary for raising them the way they did. But they must all come together in the end.
The cast is overall great. Larson, Harrelson, Watts & all of the child actors give excellent performances, with the 3 main actors giving some of their best performances yet. However, Greenfield is extremely miscast here. Greenfield, most known for his role as Schmidt on the sitcom New Girl, does not have the ability to pull off a dramatic performance & ends up being a caricature, who could've been more than that in the hands of a better actor.
Destin Daniel Cretton's direction is underwhelming. His last film, 2013's Short Term 12 (which also starred Brie Larson in her best performance yet), is one of the best films of the decade & one of my 10 favorite films of all time. However, he doesn't do justice to the source material. Some moments are well-directed, but some aren't. If anything, this shows that Cretton should go back to directing films that are original & small, like Short Term 12.
The screenplay by Destin Daniel Cretton & Andrew Lanham is extremely bad. I can safely tell you that had Cretton done the screenplay by himself, this film would be overall good. However, Lanham really brings the film down. The last film that Lanham co-wrote was 2017's The Shack, which was considered to be an awful film. The screenplay is too emotionally manipulative, & for the last 20% of the film, the film tries to make us like Rex & Rose Mary, after showing us for the first 80% of the film how horrible they are as parents. Thankfully, I didn't fall for that. Also, as I previously mentioned, the screenplay removes a few somewhat pivotal elements from the book. I hope to see a film that stays as true as possible to the book. Hopefully, that will come soon.
And the cinematography by Brett Pawlak is great. There are a few long-take shots in the film, as well as some excellent wide shots, & Pawlak shoots them really well.
This is, for me, the most disappointing film of the year. I never would've thought a film starring my favorite actress, Brie Larson, along with 2 excellent actors in Woody Harrelson & Naomi Watts, & directed by the director behind one of my all-time favorite films would have failed to be at least great. I was sadly mistaken.
The Glass Castle was seen by me at the MJR Marketplace Digital Cinema 20 in Sterling Heights, MI on Sunday, August 20, 2017. It is in theaters everywhere. Its runtime is 127 minutes, & it is rated PG-13 for mature thematic content involving family dysfunction, & for some language & smoking.
I know this is shocking, but I have never seen a single film directed by Steven Soderbergh. Well, at least I hadn't until recently, when I finally saw a film directed by him.
Logan Lucky is one of the more original films of the year, & it's certainly one of the funniest. The film focuses on Jimmy (played by Channing Tatum), Clyde (played by Adam Driver), & Mellie (played by Riley Keough) Logan, three siblings in Boone County, West Virginia. Jimmy is a laborer, Clyde is a bar owner, & Mellie is a hairdresser. Their family has been afflicted by a curse started by his great-grandfather wildly throwing a horseshoe during a game. Their aunt lost a lottery ticket, their uncle was struck by lightning, Jimmy's football career ended after blowing out his knee, & Clyde lost his left arm in Iraq (not in battle, but on the way to the airport after being discharged), forcing him to wear a prosthetic arm below his elbow. However, Mellie has been unafflicted by the curse, & doesn't believe in it at all.
Jimmy is fired as a construction worker at Charlotte Motor Speedway for having a limp which he failed to disclose, & is considered by the insurance company as a pre-existing condition. He then goes to pick up his daughter, Sadie (played by Farrah McKenzie) for a beauty pageant from the home of his ex-wife, Bobbi Jo Logan-Chapman (played by Katie Holmes). Bobbi Jo tells Jimmy that since her new wealthy husband, Moody Chapman (played by David Denman) is opening up a new car dealership in Lynchburg, Virginia, they are moving there, which makes it hard for Jimmy to visit Sadie.
Disgruntled by the news, Jimmy goes to Clyde's bar, where they encounter Max Chilblain (played by Seth MacFarlane), an arrogant British businessman & NASCAR owner & sponsor of NASCAR driver Dayton White (played by Sebastian Stan). After Chilblain insults Clyde, Jimmy & Chilblain get into a fight, which ends when Jimmy sets Chilblain's car on fire with a Molotov cocktail. On the way out, Jimmy yells the word "cauliflower" to Clyde, "cauliflower" being a codeword from when Jimmy & Clyde used to commit small crimes.
Jimmy has come up with an idea to rob Charlotte Motor Speedway. Since he helped construct it, Jimmy knows that the money is moved using a pneumatic tube transport system. Although Clyde is adamant that his days of crime are over, he agrees to partner with Jimmy. Mellie also joins in on the robbery.
Jimmy & Clyde then recruit Joe Bang (played by Daniel Craig), an infamous explosives expert currently "in-car-ce-ra-ted" at a prison led by the notorious Warden Burns (played by Dwight Yoakam). After planning to break him out (& eventually put Clyde in prison as well), Jimmy & Clyde are then sent to recruit Joe's extremely unintelligent brothers, Sam (played by Brian Gleeson) & Fish (played by Jack Quaid).
Before the robbery, Jimmy becomes smitten with Sylvia Harrison (played by Katherine Waterston), a physician's assistant who went to high school with Jimmy. But with FBI Agent Sarah Grayson (played by Hilary Swank) on their tail, the Logans & the Bangs all try to cover the tracks while trying to break the family curse that has plagued the Logans for years.
The cast is spectacular. Tatum, Driver, MacFarlane & Keough are excellent, but the greatest performance here is given by Daniel Craig. Craig, most well known for his portrayal of James Bond in the James Bond films, is cast way against type here as a delightfully crazy explosives expert. HE deserves at least an Oscar nomination for this.
Steven Soderbergh's direction is excellent. Having been out of the game since 2013's Behind the Candelabra, has returned with a vengeance.
Rebecca Blunt's screenplay is brilliant. Rebecca Blunt is a pseudonym, believed to be either Steven Soderbergh or his wife, Jules Asner. Whoever Blunt really is, their screenplay is brilliant. The dialogue is amazing, & the characters are delightfully idiosyncratic.
The cinematography by Steven Soderbergh (under the name of Peter Andrews) is excellent. There are a lot of excellent shots in the film, & Soderbergh has proved he can shoot a film just as good as he can direct a film.
The editing by Steven Soderbergh (under the name of Mary Ann Bernard) is amazing. There are a lot of montages in the film, & those are edited to perfection.
And the soundtrack is excellent. As Channing Tatum's character is a huge John Denver fan, the film uses two John Denver songs excellently. And the opening scene uses John Denver's 1981 song Some Days Are Diamonds (Some Days Are Stone) so perfectly.
This is one of the best films of the year so far. It's an absolutely welcome return to filmmaking for Steven Soderbergh. I sincerely hope he doesn't go back into retirement after this.
Logan Lucky was seen by me at the MJR Marketplace Digital Cinema 20 in Sterling Heights, MI on Saturday, August 19, 2017. It is in theaters everywhere. Its runtime is 119 minutes, & it is rated PG-13 for language & some crude comments.